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Preventing Piracy by Censoring Services: What SOPA Means for You

by Alissa Ausan (@ajausan)

Wikipedia is blacked out. Google—ever the homepage chameleon—is wearing a censor bar over its logo.  At the heart of the hubbub: confusing acronyms.

When 4 capital letters get together and cause an uprising, one of three things is usually happening:

1)     A building is burning (let’s say a theater, for a little nod to our First Amendment);
2)     Someone has sworn on an FCC regulated TV network;
3)     There’s some controversial new legislation in Congress.

Courtesy of Google.com

What we have here is a solid example of #3. SOPA and PIPA are two bills currently in the legislature. The Stop Online Piracy Act (SOPA), otherwise known by it’s less sexy name, House Bill 3261, aims to curb online piracy by targeting foreign websites that illegally stream intellectual property belonging to others. (And by “others”, let’s be honest: we’re largely talking about three entities: movie studios, the recording industry, and Rupert Murdoch.)

PIPA is basically SOPA’s Senate cousin, the Protect IP Act. It is not to be confused with Kate Middleton’s kid sister. Pippa Middleton looks fabulous in jeans, whereas PIPA threatens a free and open Internet.

SOPA and PIPA target “rogue” websites, and the first alarming implication is that this definition of “rogue” is pretty vague. Who gets to decide which sites are rogue, are what recourse is available for sites unfairly branded with a big scarlet “R”?

These bills are new but their aim is not—remember the epic battle of the early 2000’s, Metallica versus Napster?

Pirates of the Internet are a lot like pirates of the high seas: they like pillaging, and are generally not headquarted on US soil. This latter fact is the crux of this legislation: it’s very hard to pursue the pirate sites themselves, so instead, SOPA aims to cut off their access to services provided by US entities that the government can oversee, including search engines and payment systems.

With definitions squared away, the biggest question remains: What does SOPA mean for me, the websites I love, the businesses I buy from, the payment method I use to make purchases, and ultimately my government’s legislated view on censorship?

In an oversimplified nutshell, our current legislation (provided largely by the Digital Millennium Copyright Act) works on a “notify, take down” basis. Copyright owners are provided a process to notify sites of a violation, and those sites take the offending content down. The onus for policing copyright violations rests with the copyright owners. The responsibility of sites (like YouTube, for example) is to respond when claims are made, and remove content that violates a copyright.

Under SOPA, website themselves would be responsible for proactively policing all content to ensure its legal status. On the surface, this sounds fair enough, right? Even if you secretly love streaming Californication from an off-shores website instead of paying for Showtime, you probably know that those sly little sites with the shifty URL’s are doing something illegal. But this seemingly fair assumption gives way to broadly sweeping implications that factor in almost everything that takes place online.

Using YouTube as an example again, SOPA doesn’t only provide that YouTube would be held responsible for all the videos it streams, but also ads purchased on its paid advertising platform, and the content that exists wherever those ads lead consumers. Further, it applies to user-generated links to outside content that are placed on YouTube.

YouTube reports that 48 hours of video content is uploaded every MINUTE. This is 8 YEARS of content added every day.  Imagine the implication of holding YouTube accountable for verifying copyright status of each and every new upload, let alone paid ad placement and outbound links.

That’s not the end. Think about illegal sites and the content they offer for a fraction of the legal version’s cost. There’s still a cost. And how is it paid? Online payment portals like PayPal and Visa. SOPA covers this too. Visa and PayPal would be in violation of the legislation if they processed payments that were made in exchange for illegally distributed content.  Again, on the surface this seems reasonable. But imagine the volume of transactions per day, and payment portals having the added responsibility of verifying the copyright status of each and every purchase made.

Arguably this is where SOPA makes some marginal sense, much like arguably, payment processing systems are where the rampant online pharmacies of just a few years ago should have been more vulnerable to exposure. But the overarching question still remains: when a site features illegal content, to what degree of separation should guilt extend to unknowingly complicit parties? If YouTube and PayPal can be held accountable for an errant link or an unethical transaction, one that simply served as a bridge between a potentially unaware consumer and an illegal distributor of content, how will that impact those sites’ ability to carry on with business on the whole?

Are the financial interests of those most affected by online piracy more important than the financial impact SOPA may have on others who use the same online systems to conduct business as the pirates do? More importantly: is protecting the ownership of a minority of the content found online worth infringing on the internet’s ability to foster an open and creative exchange of ideas?

We’d love to know what you think.


Read more:
Minnesota Public Radio featured a great discussion about online piracy on Wednesday, January 18. Listen here.

Gawker’s post helps even non-nerds know the SOPA facts.

Google invites you to take action with a quick and easy online petition.

Looking for a Pro-SOPA perspective? Rupert Murdoch unleashes on Google and President Obama on Twitter, Huffington Post has the story.

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If You Tweet It, They Will Come…

by Alissa Ausan (@ajausan)

Friday night was a quintessential dose of Americana at Target Stadium: baseball, brats, and…blogging?

Micro-blogging, to be more specific. The Minnesota Twins invited fifteen power Twitter users to take part in a social media “Deckstravaganza,” bringing a cross-section of social media personalities to the Twins executive deck to amplify the game’s broadcast via their own established social channels in addition to FSN’s televised and online coverage.

I was honored to be among the invited guests, and found the event impressive on many levels. It’s no secret that the Twins organization is top-notch in terms of hospitality, and this was no exception.  A catered buffet and complementary brews awaited our arrival, as did key members of the organization including team president, Dave St. Peter (@TwinsPrez)!

I had opportunity to chat with Chris Iles, Twins corporate communications manager, about the team’s earnest foray into the reigning major leagues of social media: Twitter and Facebook. He shared some intriguing insights as to the exciting challenges and opportunities teams face online, where ultimately, all content is owned by the league.

The Twins (like most sports teams) are in a unique relationship with the league when it comes to marketing and a team’s ability to monetize it’s own electronic content. The must-follow John Bonnes (@TwinsGeek)–who is also a new friend, thanks to Deckstravaganza meeting and greeting–puts it best in his post “Twitter and the Twins”. (Bonus: as a long-time Twins blogger he also offers some great perspective on the evolution of social media relative to traditional broadcast channels!)

Secondly, the breadth and diversity of people and perspectives at Friday night’s even reminded me of why the Twin Cities is truly an interactive hub in this country.  From rising stars of the online marketing community, to communications executives dedicated to bringing social into their organizations from top-down, to seasoned sports bloggers, to a neighboring state’s Miss USA delegate: this was truly a cross-section not only of who’s who on Twitter, but representative of fans in the stands.

It’s like wandering the halls of the new Twins stadium or hanging out in it’s Town Ball Tavern and seeing photographs of local ballparks from around the state: wherever you’re coming from and whatever type of Twins fan you might be, at least one of us on the social media deck probably represented your voice. Which is the bottom line, after all, when it comes to social: consumers’ voices being heard in company offices, and businesses speaking to consumers directly, in their language, on their channels.

Hats off to the Twins for testing a cool engagement strategy, reaching new pockets of their potential fan base, and having a lot of fun along the way.

Do you follow the @Twins on Twitter? What are your favorite teams/events to follow along with via social media? What untapped opportunities do you think exist for sports teams in social?

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BNM Rocks The Cure with Rank Strangers and the NSC Minnesota Stars

The NSC Minnesota Stars will be adding touches of pink and punk to its August 27, 2011, match-up versus the Montreal Impact at 7:00 p.m. at the NSC Stadium in Blaine. In honor of Breast Cancer Awareness Night, the Blaine-based soccer club is partnering with Rock the Cure and Brave New Media to host an evening of events kicking off with a Rank Strangers concert at 5:30 p.m. Festivities will also include silent auctions and special pink Stars apparel available for purchase.

“The NSC Minnesota Stars fully support Rock the Cure and the energy with which it helps combat and raise awareness of women’s cancers. We greatly admire the enthusiasm the organization brings to its events and believe it’s a perfect fit with the high-energy, exciting atmosphere of professional soccer,” Stars CEO Djorn Buchholz said.

Admiral Sportswear has donated a set of pink kits for the game, which Planet Soccer will print with custom graphics for the match. The game-worn jerseys will be sold through a silent auction during the game. The Stars’ merchandise tent on the stadium concourse will have a variety of pink Stars and Rock the Cure merchandise.

“The color pink has become a powerful symbol of strength and courage in the past decade, representing the women and men who are diagnosed and treated for breast cancer,” said Angie Hanzel-Palomo, president of Rock the Cure. “When professional athletes like the Stars take the field in pink jerseys, it really helps the public embrace this cause. Soccer is such a family sport, and when breast cancer strikes a parent, the whole family goes through the experience together. There will undoubtedly be children in the crowd at this game who will see their soccer heroes in these jerseys, and will feel a sense of unity with them.”

Bringing an element of rock and roll to the awareness-raising evening is Rank Strangers, a local indie-rock group who is appearing thanks to the generous sponsorship of Frattellone’s Ace Hardware. “Selecting Rank Strangers to headline this event was a no-brainer,” shares Brave New Media president Damian Petrou. “Rank Strangers provided their track ‘Never Work’ as the punk anthem of the Stars’ Shine On web video series.” Professional soccer in Minnesota has a long history of connection to the local punk rock music scene, solidifying the great fit of this band and this particular event.

General admission tickets for the game are on sale for $5 for youth and $10 for adults through a link at RocktheCure.org. Half of all proceeds from tickets sold through this link go directly to Rock the Cure. Tickets can also be purchased at the discounted rate with proceeds going to Rock the Cure by calling the Stars’ ticket office at (763) 792-7355 and mentioning Breast Cancer Awareness Night.

About Rock the Cure

For the past 10 years, Rock the Cure has been dedicated to the fight against breast cancer. Through our annual concert events, merchandise sales and third party fund raisers, we have proudly donated over $150,000 in Minnesota. We cannot thank enough our generous sponsors who cover our event costs so that 100% of the money we raise at our events will be donated directly to our charities.

About Rank Strangers

The band was born in the spring of 1990 in East Lansing, Michigan before moving to Minneapolis that August. They released their first album, Far Cry From Here, in 1993 under the Crackpot Records label. From there, the band went on to release several more albums including Target, in 1997, which was awarded a Minnesota Music Award for Best Rock Recording that year.

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Why Google Analytics is way more awesome than you thought it was.

In the beginning of June, Jerry and I went to a Google Analytics workshop featuring a certified Google Analytics trainer from Lunametrics. We figured out in the first hour or so that we were only familiar with about 1% of what Google Analytics can actually do. There was so much knowledge crammed into our heads in those two days that I thought my brain might explode.

Here are some of the highlights. I’ll try to make this as interesting and non-technical as I can! Learning about analytics isn’t quite as exciting as watching an action movie, so please bear with me.

Advanced Segments

This made viewing analytics data fun instead of just interesting. You can compare data between segments effortlessly. What does this mean?

Advanced Segments

In the example above, instead of just looking at a graph of total visits, we’re comparing that with new and returning visitors, at a glance. The comparison permeates the entire site, so any graph, table, or chart will display all three segments. There are a bunch of predefined segments, and you have the ability to make custom segments too.

Intelligence

Intelligence

Something we all want. Well, Google Analytics has it! What “intelligence” means in this context is keeping track of sudden changes in data. If your site was expected to get 305 hits one day, but it got 892 instead, Intelligence will flag it as significant. So if you see a huge spike (or drop) in the middle of a graph, chances are Intelligence can tell you all about it.

AnnotationsAnnotations

When you do see some weird phenomenon in the data, and you figure out what caused it, how can you remember that information later on? You can annotate it! Annotations can be made on any spot on a graph—just click on one of the dots and you’ll see the option. When it’s saved, it leaves a little talk bubble icon on the graph to remind you there’s a note there.

There is so much more going on in Google Analytics than what I’ve outlined here, but let’s be honest. You don’t want to read a dry, detailed account of advanced analytics features. Just rest assured knowing that any analytics data going through Brave New Media now comes with 99% more sweetness.